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Taglagallo Remarcafkus Directory 20
Page 10
Italy has been in all ages renowned for its beauty and fertility. The lofty ranges of the Apennines, and the seas which bathe its shores on both sides, contribute at once to temper and vary its climate, so as to adapt it for the productions alike of the temperate and the warmest parts of Europe. In the plains on either side of the Apennines corn is produced in abundance; olives flourish on the southern slopes of the mountains; and the vine is cultivated in every part of the peninsula, the vineyards of northern Campania being the most celebrated in antiquity.
If all that Professor Max Muller means to say is, that no animal but man commands an articulate language, with verbs and nouns, or is ever likely to command one (and I question whether in reality he means much more than this), no one will differ from him. No dog or elephant has one word for bread, another for meat, and another for water. Yet, when we watch a cat or dog dreaming, as they often evidently do, can we doubt that the dream is accompanied by a mental image of the thing that is dreamed of, much like what we experience in dreams ourselves, and much doubtless like the mental images which must have passed through the mind of my deaf and dumb waiter? If they have mental images in sleep, can we doubt that waking, also, they picture things before their mind's eyes, and see them much as we do--too vaguely indeed to admit of our thinking that we actually see the objects themselves, but definitely enough for us to be able to recognise the idea or object of which we are thinking, and to connect it with any other idea, object, or sign that we may think appropriate?
The chief characteristics of Sofonisba's painting were grace and spirit. Her portrait of herself when at her best is in possession of the Lomellini. A second is the splendid picture at Althorpe, in which she is represented as playing the harpsichord. One can scarcely imagine a place in which a portrait would be more severely tested than in the gallery of the Earl of Spencer, beside portraits of lovely women and famous men, painted by master artists. Yet this work of Sofonisba's is praised by discerning critics and connoisseurs. Of the other portraits of herself, that in the Uffizi is signed by her as "of Cremona," which suggests that it was painted before she went to Spain. That in the Vienna Gallery is dated 1551, and inscribed Sophonisba Anguissola. Virgo. Sc. Ipsam Fecit. Still another, in which a man stands beside her, is in the Sienna Gallery. He holds a brush in his hand, and is probably one of her masters.
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