|
|
Taglagallo Remarcafkus Directory 19
Page 06
One reason which led Sylla to form this opinion of Caesar was, that the young nobleman, with all his love of gayety and pleasure, had not neglected his studies, but had taken great pains to perfect himself in such intellectual pursuits as ambitious men who looked forward to political influence and ascendency were accustomed to prosecute in those days He had studied the Greek language, and read the works of Greek historians; and he attended lectures on philosophy and rhetoric, and was obviously interested deeply in acquiring power as a public speaker. To write and speak well gave a public man great influence in those days. Many of the measures of the government were determined by the action of great assemblies of the free citizens, which action was itself, in a great measure, controlled by the harangues of orators who had such powers of voice and such qualities of mind as enabled them to gain the attention and sway the opinions of large bodies of men.
Against the right-hand wall are two lady-helps, each warming a towel at a glowing fire, to be ready against the baby should come out of its bath; while in the right-hand foreground we have the levatrice, who having discharged her task, and being now so disposed, has removed the bottle from the chimney-piece, and put it near some bread, fruit and a chicken, over which she is about to discuss the confinement with two other gossips. The levatrice is a very characteristic figure, but the best in the chapel is the one of the head nurse, near the middle of the composition; she has now the infant in full charge, and is showing it to St. Joachim, with an expression as though she were telling him that her husband was a merry man. I am afraid Shakespeare was dead before the sculptor was born, otherwise I should have felt certain that he had drawn Juliet's nurse from this figure. As for the little Virgin herself, I believe her to be a fine boy of about ten months old. Viewing the work as a whole, if I only felt more sure what artistic merit really is, I should say that, though the chapel cannot be rated very highly from some standpoints, there are others from which it may be praised warmly enough. It is innocent of anatomy-worship, free from affectation or swagger, and not devoid of a good deal of homely naivete. It can no more be compared with Tabachetti or Donatello than Hogarth can with Rembrandt or Giovanni Bellini; but as it does not transcend the limitations of its age, so neither is it wanting in whatever merits that age possessed; and there is no age without merits of some kind. There is no inscription saying who made the figures, but tradition gives them to Pietro Aureggio Termine, of Biella, commonly called Aureggio. This is confirmed by their strong resemblance to those in the Dimora Chapel, in which there is an inscription that names Aureggio as the sculptor.
The Northern Atlantic Ocean must have presented a dreary aspect. Its shores were walls of ice, from which ever and anon great masses sailed away as icebergs. These are startling conclusions. Yet, in the Southern Hemisphere to-day is to be seen nearly the same state of things. It is well-known that all the lands around the South Pole are covered by a layer of ice of enormous thickness. Sir J. A. Ross, in attempting to reach high southern latitudes, while yet one thousand four hundred miles from the pole, found his further progress impeded by a perpendicular wall of ice one hundred and eighty feet thick. He sailed along that barrier four hundred and fifty miles, and then gave up the attempt. Only at one point in all that distance did the ice wall sink low enough to allow of its upper surface being seen from the mast-head. He describes the upper surface as an immense plain shining like frosted silver, and stretching away as far as eye could reach into the illimitable distance.
|
