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Taglagallo Remarcafkus Directory 07
Page 08
Hannibal perished in the same year as his great opponent. Scipio was the only member of the Senate who opposed the unworthy persecution which the Romans employed against their once dreaded foe. Each of these great men, possessing true nobility of soul, could appreciate the other's merits. A story is told that Scipio was one of the embassadors sent to Antiochus at Ephesus, at whose court Hannibal was then residing, and that he there had an interview with the great Carthaginian, who declared him the greatest general that ever lived. The compliment was paid in a manner the most flattering to Scipio. The latter had asked, "Who was the greatest general?" "Alexander the Great," was Hannibal's reply. "Who was the second?" "Pyrrhus." "Who was the third?" "Myself," replied the Carthaginian. "What would you have said, then, if you had conquered me?" asked Scipio, in astonishment. "I should then have placed myself above Alexander, Pyrrhus, and all other generals."
Well-born, ennobled by royalty, successful in both court and studio, Rubens lived brilliantly and his life was a series of triumphs. He painted enormous canvases, and the number of pictures, altar-pieces, mythological decorations, landscapes, portraits scattered throughout the galleries of Europe, and attributed to him, is simply amazing. He was undoubtedly helped in many of his canvases by his pupils, but the works painted by his own hand make a world of art in themselves. He was the greatest painter of the North, a full-rounded, complete genius, comparable to Titian in his universality. His precursors and masters, Van Noort (1562-1641) and Vaenius (1558-1629), gave no strong indication of the greatness of Ruben's art, and his many pupils, though echoing his methods, never rose to his height in mental or artistic grasp.
It is astonishing how many of the Catacomb decorations are taken from heathen sources and copied from heathen paintings; yet we need not wonder when we reflect that the vine was used by the early Christians as an emblem of gladness, and it was scarcely possible for them to celebrate the Feast of the Nativity--a festival of glad tidings--without some sort of _Bacchanalia_. Thus it appears that even beneath the palaces and temples of pagan Rome the birth of Christ was celebrated, this early undermining of paganism by Christianity being, as it were, the germ of the final victory, and the secret praise, which came like muffled music from the Catacombs in honour of the Nativity, the prelude to the triumph-song in which they shall unite who receive from Christ the unwithering crown.
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