|
|
Taglagallo Remarcafkus Directory 06
Page 04
In 1127 Henry invited the king of the Scots to Windsor to join in the royal celebration of Christmas, but the festivities were marred by an unseemly quarrel between the two primates. Thurstan, Archbishop of York, encroaching upon the privileges of his brother of Canterbury (William de Corbeuil), insisted upon placing the crown upon the king's head ere he set out for church. This the partisans of Canterbury would not allow, settling the matter by turning Thurstan's chaplain and followers out of doors, and thereby causing such strife between the heads of the Church that they both set off to Rome to lay their grievances before the Pope. And, subsequently, appeals to Rome became frequent, until a satisfactory adjustment of the powers and privileges of the two archbishops was arrived at. The Archbishop of Canterbury was acknowledged Primate of all England and Metropolitan; but, while the privilege of crowning the sovereign was reserved for the Archbishop of Canterbury, that of crowning the Queen Consort was given to the Archbishop of York.
Reynolds was well-grounded in Venetian color, Bolognese composition, Parmese light-and-shade, and paid them the homage of assimilation; but if Gainsborough (1727-1788) had such school knowledge he positively disregarded it. He disliked all conventionalities and formulas. With a natural taste for form and color, and with a large decorative sense, he went directly to nature, and took from her the materials which he fashioned into art after his own peculiar manner. His celebrated Blue Boy was his protest against the conventional rule of Reynolds that a composition should be warm in color and light. All through his work we meet with departures from academic ways. By dint of native force and grace he made rules unto himself. Some of them were not entirely successful, and in drawing he might have profited by school training; but he was of a peculiar poetic temperament, with a dash of melancholy about him, and preferred to work in his own way. In portraiture his color was rather cold; in landscape much warmer. His brush-work was as odd as himself, but usually effective, and his accessories in figure-painting were little more than decorative after-thoughts. Both in portraiture and landscape he was one of the most original and most English of all the English painters--a man not yet entirely appreciated, though from the first ranked among the foremost in English art.
The Pilgrims who settled New England were Independents, peculiar in their ecclesiastical tenet that the single congregation of godly persons, however few or humble, regularly organized for Christ's work, is of right, by divine appointment, the highest ecclesiastical authority on earth. A church of this order existed in London by 1568; another, possibly more than one, the "Brownists," by 1580. Barrowe and Greenwood began a third in 1588, which, its founders being executed, went exiled to Amsterdam in 1593, subsequently uniting with the Presbyterians there. These churches, though independent, were not strictly democratic, like those next to be named.
|
