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But while we allow with Mr. Arnold that the theory will best be learnt from the ancients, we cannot allow, as he seems to desire us to allow, that the practice of it was confined to them, or recommend as he does the disproportionate study, still less the disproportionate imitation of them. All great artists at all times have followed the same method, for greatness is impossible without it. The Italian painters are never weary of the Holy Family. The matter of Dante's poem lay before him in the creed of the whole of Europe. Shakespeare has not invented the substance of any one of his plays. And the "weighty experience" and "composure of judgment" with which the study of the ancients no doubt does furnish "those who habitually practise it," may be obtained we believe by the study of the thoughts of all great men of all ages; by the study of life in any age, so that our scope be broad enough.

One more remark upon the subject of colour. Now-a-days civilized peoples, as well as many of the ruder races that the former govern, wear clothes. In other words they have dodged the sun, by developing, with the aid of mind, a complex society that includes the makers of white drill suits and solar helmets. But, under such conditions, the colour of one's skin becomes more or less of a luxury. Protective pigment, at any rate now-a-days, counts for little as compared with capacity for social service. Colour, in short, is rapidly losing its vital function. Will it therefore tend to disappear? In the long run, it would seem--perhaps only in the very long run--it will become dissociated from that general fitness to survive under particular climatic conditions of which it was once the innate mark. Be this as it may, race-prejudice, that is so largely founded on sheer considerations of colour, is bound to decay, if and when the races of darker colour succeed in displaying, on the average, such qualities of mind as will enable them to compete with the whites on equal terms, in a world which is coming more and more to include all climates.

And so the word became the fundamental idea of the Christian life: the grace of God was the power that floods the whole of the earlier teaching of the gospel, before the conflict with the ungracious and suspicious world began--the serene, uncalculating life, lived simply and purely, not from any grim principle of asceticism, but because it was beautiful to live so. It stood for the joy of life, as opposed to its cares and anxieties and ambitions; it was beautiful to share happiness, to give things away, to live in love, to find joy in the fresh mintage of the earth, the flowers, the creatures, the children, before they were clouded and stained by the strife and greed and enmity of the world. The exquisite quality of the first soft touches of the gospel story comes from the fact that it all rose out of a heart of joy, an overflowing certainty of the true values of life, a determination to fight the uglier side of life by opposing to it a simplicity and a sweetness that claimed nothing, and exacted nothing but a right to the purest sort of happiness--the happiness of a loving circle of friends, where the sacrifice of personal desires is the easiest and most natural thing in the world, because such sacrifice is both the best reward and the highest delight of love. It was here that the strength of primitive Christianity lay, that it seemed the possession of a joyful secret that turned all common things, and even sorrow and suffering, to gold. If a man could rejoice in tribulation, he was on his way to be invulnerable.


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